![]() ![]() Was it plain sailing from there on? “There were times when it came to the transient, where we were unsure how we’re going to interpret the transient to influence the effects that we had. It was then expanded with a developer to include further algorithms.” More or less I was creating a new reverb. “At the start, I basically created the plug-in in Ableton Live using their reverb and a bunch of audio effects. The first iteration of ‘KSHMR reverb’ was in April 2020. Despite the scary yet impressive efforts of Musk’s ChatGPT, plugins don’t just magically appear. That seems to be what I’m more interested in I’d rather see myself as someone giving cool tools to the industry. I don't see myself as a face, like a pop artist. That seems to be what I’m more interested in.” ![]() I don’t see myself as a face, like a pop artist. “It would be cool to be a part of the ecosystem, that is first and foremost my favourite thing about music, the discovery of new sounds and then to be able to contribute to it that was a really fun part of it to me. His KSHMR label on Splice is regularly one of the most downloaded, and with the recent introduction of licenses, at least you can be sure you won’t hit the pesky content ID snags on YouTube while using his creations. The producer world has benefited from this enthusiasm. That’s it really – it just seemed really fun”. I would go to Barnes and Noble and there would be these magazines that would have the CDs on the front and I’d grab the CD just to have more samples. Growing up, my dream weekend was my mom taking me to Guitar Center and I would get to buy a new little synth module or something else to make music with. “I got into this as I was just so enamoured with samples, little plug-ins, and hardware. Yet Niles has been a vocal leader in our world for years. The intrigue from our side was why bother? Most artists he shares credit lists with won’t engage so much, if at all, with the producer community. It’s a tidy new device that has an attractive cost-of-living price point. We’re meeting to talk about his new KSHMR Reverb plugin. In short, there’s more to it than the hits. Yet, I’d hazard a guess that Attack readers know KSHMR better for his leading Splice packs and his Dharma Studio video-on-demand courses. A gazillion streams, radio smashes and loyal dogmatic followers. Same same but different.Īs an artist, his track record has been well documented. It’s a ‘feel’ that tends to align neatly with Niles the person and KSHMR the artist. This, therefore, had a different feel from the off. They’re artists after all – let them be so! They are not often prompt and even fewer make an effort to inform you. ![]() Not to throw shade at artists, the lifeblood of this publication, but readers should know we’ve often waited in all types of conditions to secure an interview. He’ll be there in five mins.” Given this information was received two minutes past the hour on which we’d agreed to meet, it was rather unexpected but welcomed. Attack editor Eric Brünjes sat down with KSHMR to talk about his new reverb plugin ‘KSHMR Reverb’ and his desire to help other producers. ![]()
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